dimanche 15 février 2009
Well, this is just a fantastic live album by Manuel Göttsching, pionneer of the German electronic music of the seventies, with his band Ash Ra (Tempel) , and forerunner of the the most innovative part of the techno scene, with his concept album E2/E4.
Live at Mt Fuji is a very contemporary album, mixing repetitive rythms "à la Steve Reich" with electronic soundscapes and inspired electric guitar. Psychedelic dance music, contemporary chill out, ambient experimentations: the sound, the feeling, the aesthetic, the modernity of this music and of this concert are just unbelievable. Manuel Göttsching succeeds in creating a unique crossroads of so many paths that made the history of new musics since the 70's of the last century.
Beautiful sound, inspired music, post-modern rythmics... Is it the first Zen album of the XXIst century ?
link : mp3MG.LaMF.zip
In the so-called "Electronic School of Berlin", Ash Ra Tempel was as important and as influential as Tangerine Dream and Klaus Schulze. It started as a psychedelic & experimental rock band (Klaus Schulze played the drums) and then explored the trends of "kosmische musik", with different line up. Manuel Göttsching was (and still is) the main creator of the Ash Ra Tempel sound: a beautiful mix of keyboards layers (organ, string ensemble), repetitive an subtle rythmic loops and a solar guitar sound, played to create strange repetitive patterns or to draw magnificent solos...
With Manuel Göttsching, German electronic music meets Californian sun and coolness, cosmic journey are rythmed by a unique swing, and the music of the seventies meets the techno scene of the XXIst century... Göttsching was a precursor, and explored new spaces of repetitive music, for example in his famous E2 / E4 album, as influential as Music for 18 musicians by Steve Reich was for contemporary music...
In the three tracks of this album, the basic materials were provided by Manuel Göttsching solo or Ash Ra concerts (1976 and 1979). Joachin Joe Claussell added new loops and beats on two tracks ("Deep(e) Distance" and "Ain't No Time for Tears". This is not really a remix, it is more like an enhanced version of the original live recordings. It is a perfect introduction to the musical world and skill of Manuel Göttsching...
On March 31, 1986, Tangerine Dream played two concerts at the Olympia (and not "Olympic") Theater in Paris. Their last concert in Paris was in 1981. These two 1986 concerts were a surprise for Parisian TD fans. First, they discovered a new line-up of the band: Johannes Schmoelling was replaced by a young Austrian musician, Paul Haslinger. Then, Tangerine Dream had a new sound, more digital, more percussive, with impressive multilayered sequences, precise harmonic and melodic arrangement: the music was played very loud and the audience discovered a kind of new electronic music, sophisticated and full of the same kind of energy a rock band could display. Last, but not least, the band played with an impressive light show, perfectly synchronized with the music.
23 years after, these Paris concerts remain very special... They opened the way to a new step in Tangerine Dream career, but the trio Franke - Froese - Haslinger was the most creative link between the early eighties and the nineties.
Christopher Franke's art of sequencing was at its peak... Computers, samplers and digital synthies replaced the old analogic Moog sequencers: they added a new percussive dimension, new rythmic possibilities. As far as I know, few musicians went as far as the programming work of Franke on some parts of this concert...
Here is the Tangerine Tree archive of one of these concerts. It is number 69 of the series...
I hope you will enjoy...
dimanche 8 février 2009
This music was conceived for a 1998 installation of Brian Eno, collaborting with Jiri Prihoda in Prague. The CD was donated to an auction in aid of South London Arts in January 2001 and raised £ 400.
As Thursday Afternoon, Music for Prague is a long ambient track, where piano notes and melodic lines evolve very slowly. It is another perfect realization of Eno's concept of generative music, where different tracks are blended together in a randomly way, and one should listen to the installation at least 10.000 years to hear the entire possibilities of a single piece.
Quiet music for our hectic times, Music for Prague is the perfect soundtrack for a winter evening... To be played and listened to in infinite repeat mode !
In the scene of world music, Stephan Micus (b. 1953) is a world by himself. Most of his works were released on ECM: he recorded 20 albums so far, pure gems of ethno-ambient music, where he plays many musical instruments he gathered during his travels around the globe. Sarangi meets dilruba, shakuhachi meets flower pots, human voice meets nay, kalimba or doussn' gouni... Stephan Micus could be the Mike Oldfield of world music, and multitrack recording equipement allows him to create strange symphonies blending musical cultures, beautiful polyphonies with his own voice or a single instrument.
Each album of Stephan Micus is like a travel, were beautiful landscapes are painted with the sounds and the unexpected hybridation of musical traditions: from India to Africa, from Bali to Japan, we are travelling with him along an imaginary and a spiritual Silk Road... Micus' compositions are fully contemporary and personal, they are ambient and contemplative, they create an intimate and beautiful mood where the musician and his listeners get closer through a same meditation....
link: mp3 / 320
Publié par Dreamer à 08:48
Abstraction 1 (2007)
"All forms of beauty, like all possible phenomena,
contain an element of the eternal
and an element of the transitory,
of the absolute and of the particular.
Absolute and eternal beauty does not exist,
or rather it is only an abstraction
creamed from the general surface of different beauties"
Publié par Dreamer à 08:34